Well I've been Lesen many Artikel about this singer and actually really nothing has went wrong. She just had her major spotlight and now it went a little dim but she still has her main core Fan base especially in Japan and China actually. She still has many Fans in other countries too but she doesn't have a whole lot of Fans in America as she did back in 2002. What are the reasons who really knows cuz everybody has different reasons about why they change artist for why they don't like this artist no Mehr just like she grew up people's tastes have changed. She is still a viable artist with...
Here's my ideas for 31 Candles: Avril Lavigne's Unforgettable Moments.
1. She's from Canada 2. Late 90s/early 00s is full of nostalgia 3. 2002 4. Complicated, the one that started it all 5. The Matrix 6. Let Go, Avril's first album 7. Avril on TRL 8. He was a boy, she was a girl 9. I'm With You 10. Avril won a nomination on MTV VMAs 11. Avril received 8 Grammy nominations 12. Fans loved the first two albums 13. So much for my happy ending
In my last articles, I talked about why Avril Lavigne needs to make an album without any bratty songs for Weiter Jahr and why Avril Lavigne needs to resign Sony Musik Entertainment and moved to Universal Musik Records.
As Du may know that Avril Lavigne has dominated the Musik department in 2002 with Let Go and its 3 number 1 singles, Complicated, Sk8er Boi and I’m With You. Plus, Losing Grip with is her most serious song of all her Let Go era songs even though Losing Grip doesn’t do great in the charts and the Musik video released on the awful 2003 datum instead of a very good...
Du know something? This reminds me of something. I think Avril Lavigne needs to resign Sony Musik Entertainment because Sony Musik Entertainment can’t stand Avril Lavigne and Sony Musik Entertainment only wants big names and RCA like Beyonce. That’s all Sony Musik Entertainment does, big names and RCA. Du see, Avril Lavigne only appeals early 2000s and Asia. It does not appeal Avril Lavigne materials in general like Under my Skin (despite the album sold well and Fans Liebe it). Worse, Sony Musik Entertainment refuse to get familiar with Avril Lavigne after her career was just getting...
Hey there, Avril Lavigne readers. I’ll be talking about a new Avril Lavigne album for Weiter year. As Du may know that 2010s is a very difficult decade for Avril Lavigne. Avril Lavigne making new Musik still only have bratty songs and Japan. America hates Avril Lavigne like Girlfriend. Fans still only like Let Go/Under My Skin and Avril Lavigne is huge in the public still only have Let Go era/Girlfriend. Arista is gone. Sony Musik is moving away from Avril Lavigne and only wants big names and RCA like Britney Spears and Miley Cyrus respectively. RCA/Epic Records ruined Avril Lavigne songs...
I will all of Du that I think MTV VMA wants Avril Lavigne appearing on MTV VMA back.
Last year, Avril Lavigne gives Requisiten to Miley Cyrus’s VMA Performance and claims that she’s young & expressing herself. Let's not forget Miley Cyrus performing her awful We Can't Stop with Robin Thicke after he sings his overrated Blurred Lines. Stupid Blurred Lines and We Can't Stop. Let's continue.
It’s what everyone’s talking about since MTV aired its infamous Video Musik Awards last Jahr about Miley Cyrus‘s provocative and edgy performance...
Hello, Little Black Stars. It’s time to talk about why rock Musik stations needs to play Avril Lavigne songs. I hope Du enjoy it.
Now, as Du may know that pop Musik stations are getting tired of Avril Lavigne. So what we need for Avril Lavigne is Bewegen her Musik to rock Musik stations this Jahr that way pop Musik can finally get out of Avril Lavigne for good.
So in order for rock radio to play Avril Lavigne, here’s a good suggestion, never ever play Girlfriend, What The Hell oder Hello Kitty on rock radio. That means, Girlfriend oder Goodbye Lullaby singles like...
As Du all know that we spent a weekend listening to only Avril Lavigne albums to figure out where it all went wrong.
It’s hardly surprising when a pop star, sterne becomes a punchline. A life in the public eye is challenging at the best of times, let alone in a digital age when scorn and mockery are easy tactics to cope with mass culture’s persistent attempts to tell us what to buy/consume/listen to. Some pop stars manage to rebound from the jokes; others get buried under them.